Selected for the Orizzonti competition section of the festival’s 83rd edition, the film had its second-day screening at the Sala Darsena theatre in Venice.
Members of “The Difficult Bride” team pose on stage during the film’s world premiere in the Orizzonti competition section of the 83rd Venice International Film Festival in Venice, Italy. Photo: Courtesy
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Members of “The Difficult Bride” team pose on stage during the film’s world premiere in the Orizzonti competition section of the 83rd Venice International Film Festival in Venice, Italy. Photo: Courtesy
Rubaiyat Hossain’s “The Difficult Bride” has had its world premiere at the Venice International Film Festival, marking what the film’s team describes as the first participation of a Bangladeshi feature-length film at the prestigious festival.
Selected for the Orizzonti competition section of the festival’s 83rd edition, the film had its second-day screening at 2:15pm local time last Sunday at the Sala Darsena theatre in Venice.
Photo: Courtesy
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Photo: Courtesy
The film had two screenings on Saturday (5 September), with its first screening and world premiere taking place at 7pm local time at the Sala Casino theatre in Palazzo del Cinema, the festival’s main venue.
Two further screenings were held on Monday, at 4:30pm at Astra 2 and 5pm at Astra 1. The festival, which began on 2 September, will continue until 12 September.
According to the film’s team, director Rubaiyat had been developing the idea for “The Difficult Bride” for nearly two decades. A story she heard at a beauty parlour during her childhood, along with memories that stayed with her over the years, eventually became the foundation for a film centred on a beauty parlour in Dhaka, a wedding, and a childhood fear.
“Through the film, we wanted to question what we understand by beauty,” Rubaiyat said. “We tried to show how much pain can lie beneath the process of beautification. The film explores how society, through the beauty parlour, manufactures a girl into a woman according to an artificial mould.”
The director also incorporated memories of being frightened by the sight of brides crying at weddings during her childhood as another layer of the film’s narrative.
Another notable aspect of “The Difficult Bride” is its predominantly women-led creative team. With the exception of the background score composer, the heads of all departments are women.
Portuguese filmmaker Leonor Teles, a Golden Bear winner at the Berlin International Film Festival, served as cinematographer, and Frederica R Gomes was the chief lighting technician.
France’s Raphaëlle Martin-Holger handled editing, while India’s Jonaki Bhattacharya oversaw production design.
Speaking about working with a women-led team, Rubaiyat said, “This film proved wrong the notion that women cannot make good cinema. From the sound mixer and sound designer to the technicians across departments, their skill and pace of work were remarkable.”
Zaineen Chowdhury Karim plays the lead role. She had worked as an assistant director on the project for a year and a half before being selected for the role through an audition. Despite it being her acting debut, Rubaiyat praised her performance.
Reekita Nondine Shimu and Sunerah Binte Kamal also feature in the film. Sunerah has no dialogue in the film, with Rubaiyat praising her professionalism during the production.
For Shimu, this marks her second appearance at the Venice festival, having previously attended with “Once Upon a Time in Calcutta”.
Azmeri Haque Badhan and Dameer Khan make guest appearances in the film.
Most of the film’s cast and crew have travelled to Venice for the festival.
“The Difficult Bride” is an international co-production involving France, Portugal, Norway, and Germany, alongside Bangladesh’s Khona Talkies.
According to Rubaiyat, the film is expected to have further international premieres across Europe, North America, Asia, and the Middle East later this year, while audiences in Bangladesh are expected to be able to watch it next year.
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